O Come Emanuel

God Bless America - Kate Smith

Courtesy Of The Red, White And Blue, Toby Keith

Strawberry Letter 23 - Brothers Johnson

Burning Love - Elvis

How great is Our God & How Great Thou Art (lyrics) Chris Tomlin

Praise to the Lord the Almighty

Praise to the Lord, the Almighty
The King of creation
O my soul, praise Him
For He is thy health and salvation
All ye who hear, now to His temple draw near
Join me in glad adoration

Praise to the Lord
Who o'er all things so wonderfully reigneth
Shelters thee under His wings
Yea, so gladly sustaineth
Hast thou not seen how thy glories e'er have been
Granted in what He ordaineth

Praise to the Lord, O let all that is in me adore Him
All that hath life and breath
Come now with praises before Him
Let the 'amen' sound from His people again
Gladly for aye we adore Him


Performed by the London Philharmonic Choir and National Philharmonic Orchestra.
Arranged by: Lee Holdridge
Conducted by: John Alldis
Written by: Joachim Neander in 1680 and is a hymn based on his chorale, Lobe den Herren, den mächtigen König der Ehren.
Catherine Winkworth published her English version of this hymn in the year 1863.
Neander's hymn paraphrases Psalms 103 and 150.

The Lord Is My Light / Psalm 27

The Rooster Song

School House Rock - The Preamble

For HRC:

All You Need is Love

How to Change Guitar Strings: Nylon and Steel

Silent Night - The story of this Christmas Carol

There have been many stories of the origins of the Christmas carol “Silent Night, Holy Night.” In fact, the carol goes back further than when Christmas cards began. One of the most popularly told one is as follows:

In the winter of 1818 at St. Nicholas’ Church at Obendorf, a village near Salzburg, Austria, Joseph Mohr, the assistant to the priest, faced a dilemma. It was just days before Christmas, and the church organ which was so important to providing music for the Christmas services was broken. Since the organ repairman was not a local of the village it would actually be months before the repair could be made, and Christmas would be long past.

His solution to the problem of the broken organ resulted in one of the most popular Christmas carols of all time. In 1816 Mohr had written a simple poem that the villagers could understand expressing the wonder of the birth of Jesus. He asked his friend Franz Gruber who was the organist at St. Nicholas to write music to accompany his poem so that they could sing it together using a guitar to accompany their singing.

They first performed their newly composed Christmas carol at the Christmas Eve midnight service on December 24, 1818. It did not instantly receive the worldwide recognition it has come to know, however. It was not until years later in 1825 when Carl Mauracher was rebuilding the organ at St. Nicholas that a handwritten copy of the words and music was found in the organ loft.

Mauracher was from an area in the mountains of Tyrol which had many traveling folk choirs who performed throughout Europe. He carried the carol back home, and it became a popular song with the choirs as they traveled and spread its popularity wherever they went.

In some versions of the story it is told that mice had eaten the bellows of the organ. Others say that Gruber himself had broken the organ. It is believed that there was frequent flooding of the area that caused rust and mildew to affect the condition of the church organ often making it unplayable. It is actually not known however if the organ was truly broken at Christmastime of 1818. Some say that Mohr simply wanted a new carol for the service and was fond of the guitar as an instrument. Some stories tell that both the poem and the music were hastily written that Christmas Eve. A manuscript for “Silent Night” in Mohr’s hand was discovered in 1995 which is dated 1816. In the manuscript Mohr credits the melody used for the carol to Franz Gruber.

Whatever the details of the circumstances, Joseph Mohr’s and Franz Gruber’s contribution of Christmas music for their village’s Christmas Eve midnight mass gave us all the beautiful “Silent Night, Holy Night."

From: http://www.noelnoelnoel.com/trad/silent.html

Vesti la Giubba - Enrico Caruso

Caruso was the first gramophone star to sell more than a million copies with his 1907 recording of 'Vesti la giubba' from the opera 'Pagliacci' by Ruggero Leoncavallo.

Here are Caruso's recordings from 30th of November 1902, 1st of February 1904 and 17th of March 1907.

Vesti la giubba is regarded as one of the most moving arias in the operatic repertoire. The pain of Canio (Caruso) is portrayed in the aria and exemplifies the entire notion of the 'tragic clown': smiling on the outside but crying on the inside. This is still displayed today as the clown motif often features the painted on tear running down the cheek of the performer.

The opera recounts the tragedy of a jealous husband.

More Caruso info on my non-profit website http://www.enricocaruso.dk (English).

Text of the aria in Italian:

Recitar! Mentre preso dal delirio!
Non so più quel che dico
e quel che faccio!
Eppur è d'uopo sforzati!
Bah! Sei tu forse un uom?
Tu sei Pagliaccio!

Vesti la giubba
Ela faccia infarina.
La gente paga e rider vuole qua.
E se Arlecchin t'invola Colombina,
ridi, Pagliaccio, e ognun applaudirà!
Tramuta in lazzi
lo spasmo ed il pianto;
in una smorfia il singhiozzo
e'l dolor! Ah!
Ridi, Pagliaccio,
sul tuo amore infranto.
Ridi del duol che t'avvelena il cor.

English translation:

To act, with my heart saddened with sorrow.
I know not what I'm saying or what I'm doing.
Yet I must face it.
Courage, my heart!
You are not a man;
you're but a jester!

On with the motley,
the paint and the powder.
The people pay you and want their laugh,
you know.
If Harlequin your Columbine has stolen,
laugh, Punchinello! The world will cry 'Bravo!'
Go hide with laughter
your tears and your sorrow,
sing and be merry, playing your part.
Laugh, Punchinello,
for the love that is ended.
Laugh for the sorrow
that is eating your heart.

Siciliana O Lola - Cavalleria Rusticana - Enrico Caruso

RUSTIC CHIVALRY Melodrama in one act Libretto Giovanni Targioni-Tozzetti and Guido Menasci after the play by Giovanni Verga Premiere 17 May 1890, Rome (Teatro Costanzi) Cast SANTUZZA (Soprano or Mezzo soprano) LOLA (Mezzo soprano) MAMMA LUCIA (Contralto) TURIDDU (Tenor) ALFIO (Baritone) CHORUS villagers Place a village in Sicily Time late 19th century, Easter Sunday PRELUDE Siciliana TURIDDU behind the curtainO Lola, white and red as the cherry In your nightdress white as milk, When you appear at the window you smile; Happy he who gave you your first kiss! The mark of blood is over your door, But I care not if I am killed; If through you I die and go to Paradise, It will not be Paradise for me unless you are there. Ah! ONE AND ONLY ACT A square in the village. In the background right, a church with a door. On the left, the inn and Mother Lucia's house. At first the stage is empty. Dawn is breaking. Introductory ChorusChorus CHORUS from withinAh! WOMEN from withinThe orange trees in the green groves Scent the air, The larks sing Through the flowering myrtles; Now is the time For everyone to murmur The tender song Which quickens the heart. The women enter. MEN from withinAcross the fields Amid the golden corn The sound of your shuttles Reaches us In our fatigue, Lightening our labour. We think of you, Sweet rays of sunshine. We hasten to you As a bird flies To his mate's call. The men enter. WOMEN Now cease Your rustic tasks; The blessed Virgin is gladdened By the Saviour; Now is the time For everyone to murmur The tender song Which quickens the heart. MEN Across the fields, etc. WOMEN The orange trees in the green groves, etc. The chorus crosses the stage and goes out. SceneSantuzza and Lucia SANTUZZA enteringTell me, mother Lucia. LUCIA surprisedYou? What do you want? SANTUZZA Where is Turiddu? LUCIA Have you come here To look for my son? SANTUZZA I beg you to forgive me. I only want to know where I can find him. LUCIA I do not know, Don't bother me! SANTUZZA Mother Lucia, in tears I implore you, Be merciful as Our Lord was to Magdalene And tell me where Turiddu is … LUCIA He went to Francofonte For the wine. SANTUZZA No! He was seen In the village late last night. LUCIA What are you saying? He's not returned home! turning towards the door of her houseCome in! SANTUZZA desperatelyI cannot enter your house! I have been damned! LUCIA What then do you know Of my son? SANTUZZA What a thorn I have in my heart! Scene with Alfio and ChorusAlfio, Chorus and the above ALFIO The horses' hooves thunder, The harness bells jingle, The whip cracks. Get along! Let the wind blow cold, Rain or snow fall, What care I? CHORUS O a carter's life Is a fine life, Going from place to place! ALFIO The whip cracks! At home, awaiting me, Is Lola, who loves me and comforts me And is ever true. The horses' hooves thunder, The harness bells jingle, It's Easter, and here I am! CHORUS O a carter's life, etc. ALFIO Get along! The whip cracks! Here I am! O a carter's life, etc.It's Easter, and here I am! Scene and Prayer LUCIA You are lucky, friend Alfio, To be always so gay! ALFIO Mother Lucia, Do you still have some Of that vintage wine? LUCIA I know I haven't: Turiddu has gone To get some. ALFIO But he's still here! I saw him this morning Near my house. LUCIA surprisedWhat? SANTUZZA quickly to LuciaHush! From the church is heard the Alleluja. ALFIO I'm going; You women go to church. exit CHORUS inside the churchRegina coeli laetare. Alleluja! Quia quem meruisti portare. Alleluja! Resurrexit sicut dixit. Alleluja! SANTUZZA, LUCIA and CHORUS in the squareLet us rejoice That Our Lord is not dead, And in glory Has opened the tomb! Let us rejoice That Our Lord is risen again And today is gone up Into the glory of Heaven! CHORUS inside the churchAlleluja! All enter the church except Santuzza and Lucia. Romance and SceneLucia and Santuzza LUCIA Why did you signal me To be silent? SANTUZZA O mother, you know That before he went for a soldier Turiddu had sworn Eternal faith to Lola. On his return, he found her married, And sought with a new love To quell the flame Which burned in his heart: He loved me, I loved him. But she, envious of my only delight And forgetful of her husband, Burned with jealousy ... She stole him from me ... And I am left disgraced; Lola and Turiddu are lovers, And I am left to weep. LUCIA Lord have mercy! What is this you've come to tell me On this holy day? SANTUZZA I am condemned! O mother, go And pray to God And pray for me too! When Turiddu comes, I will plead with him Once again. LUCIA going towards the churchHoly Mary, Have mercy upon her! exit SceneSantuzza and Turiddu TURIDDU enteringYou here, Santuzza? SANTUZZA I was waiting here for you. TURIDDU It is Easter; Aren't you going to church? SANTUZZA I cannot. I must speak to you ... TURIDDU I was looking for my mother. SANTUZZA I must speak to you … TURIDDU Not here! not here! SANTUZZA Where have you been? TURIDDU What do you mean? At Francofonte! SANTUZZA No, it's not true! TURIDDU Santuzza, believe me ... SANTUZZA No, do not lie; I saw you returning Down the road ... And this morning at dawn You were seen Near Lola's door. TURIDDU Ha! You were spying on me! SANTUZZA No, I swear it. Alfio, her husband, Was telling us Just now. TURIDDU Is this the way you return The love I bear you? Do you want me killed? SANTUZZA Oh, do not say such things … TURIDDU Leave me then, leave me; In vain you try, With your pleas for pity, To lessen my scorn. SANTUZZA Then you love her? TURIDDU No. SANTUZZA Lola is Far more lovely. TURIDDU Be quiet, I do not love her. SANTUZZA You do love her ... A curse upon her! TURIDDU Santuzza! SANTUZZA That wicked woman Stole you from me! TURIDDU Take care, Santuzza, I am not the slave Of this mad Jealousy of yours! SANTUZZA Beat me, insult me, I love you and forgive you; But my anguish Is too much to bear. Lola's RefrainLola and the above LOLA off‑stageO flower of the iris, The angels in their beauty Stand a thousandfold in Heaven, But only one there is As handsome as he. Ah! enteringO flower of the iris … Oh! Turiddu … has Alfio been here? TURIDDU I've just come into the square. I do not know … LOLA Perhaps he was kept At the blacksmith's, But he can't be long. ironicallyAnd you ... are you listening To the service from the square? TURIDDU Santuzza was telling me ... SANTUZZA darklyI was saying that today is Easter, And the Lord sees everything! LOLA Aren't you coming to Mass? SANTUZZA Not I: only they can go Who know they are free from sin. LOLA I thank the Lord And kiss the ground. SANTUZZA ironicallyOh, you're so good, Lola! TURIDDU to LolaCome, let us leave her! Why do we stay here? LOLA ironicallyDo stay here! SANTUZZA to TuridduYes, stay, oh stay, I've more to tell you! LOLA The Lord be with you: I'm going. goes into the church DuetSantuzza and Turiddu TURIDDU angrilyAh, you see? What have you said ... ? SANTUZZA You wished it: then so be it. TURIDDU rushing forwardAh! by Heaven! SANTUZZA Tear me to pieces! TURIDDU turning awayNo! SANTUZZA holding him backTuriddu, listen! TURIDDU Go away! SANTUZZA No, no, Turiddu, Stay with me awhile. Why do you seek To fly from me? TURIDDU Why do you follow me And spy on me Without respite To the very doors of the church? SANTUZZA Your own Santuzza Weeps and pleads with you; How could you Drive her away like this? TURIDDU Go, I say, Do not plague me; Vain is your repentance After what you have done. SANTUZZA threateninglyTake care! TURIDDU I do not heed your anger. He throws her to the ground and flees into the church. SANTUZZA in a furyMay your Easter be cursed, you traitor! She falls, overcome with anguish.Alfio, entering, encounters Santuzza. DuetSantuzza and AIfio SANTUZZA Oh! The Lord has sent you, Good Alfio. ALFIO How far on is the Mass? SANTUZZA It's nearly over … but listen! Lola has gone with Turiddu! ALFIO in surpriseWhat are you saying? SANTUZZA That while you go driving In rain and wind To earn your living, Lola is adorning your head In an ugly way! ALFIO What! In Heaven's name, Santa, what are you saying? SANTUZZA The truth. Turiddu Stole my honour, And your wife Has stolen him from me! ALFIO If you're lying, I'll tear your heart out! SANTUZZA My lips are not in the habit Of uttering lies! It was the bitter truth I told you, alas, In my shame And my sorrow. ALFIO Santuzza, Then I am grateful to you. SANTUZZA I am vile To have told you this. ALFIO It is they who are vile: I will not forgive them; I will have vengeance Before the sun goes down. I will have blood, My rage shall know no bounds, And all my love Shall end in hate. exeunt Symphonic IntermezzoThe people come out of church. Lucia crosses the stage and goes into her house. Scene, Chorus and ToastsLola, Turiddu and Chorus MEN Let us go homewards, Friends, to where Our womenfolk await us! Let us hasten Without delay Now that gladness Has soothed our hearts. WOMEN Let us go homewards, Friends, to where Our husbands await us! Let us hasten Without delay Now that gladness Has soothed our hearts. The chorus goes off. TURIDDU to Lola as she goesMistress Lola, Are you going Without a word of greeting? LOLA I must go home: I have not seen Alfio! TURIDDU Don't give it a thought; He'll be coming to the square. to the chorusMeanwhile, friends, Come, let's drink together! All come to the inn table and take wine‑cups.Hurrah for the sparkling wine Bubbling in the glass, Bringing happiness Like a lover's smile! Hurrah for friendly wine That livens every thought And banishes melancholy In cheerful drinking! CHORUS Hurrah! TURIDDU to LolaTo your love! He drinks. LOLA to TuridduTo your good fortune! She drinks. TURIDDU Drink up! CHORUS, TURIDDU and LOLA Hurrah! Drink up! Continue the tournament! CHORUS Hurrah for the sparkling wine, etc. enter Alfio FinaleAlfio and the above ALFIO Greetings to you all! CHORUS Greetings, friend Alfio! TURIDDU Welcome! You must drink with us: fills a glassHere, I've filled you a glass. ALFIO rejecting itThank you, but I cannot Accept your wine. It would turn to poison Inside me. TURIDDU throwing the wine awayAs you please! LOLA Alas! how will this end? SOME WOMEN to LolaMistress Lola, This is no place for us. All the women go out, taking Lola with them. TURIDDU Have you anything else to say to me? ALFIO I? Nothing! TURIDDU Then I'm at your service. ALFIO Right away? TURIDDU Right away! Alfio and Turiddu embrace: Turiddu bites Alfio's right ear in challenge. ALFIO Friend Turiddu, You bit my ear. meaninglyI am sure We understand each other! TURIDDU Friend Alfio, I know that I have wronged you; And I swear to you By Heaven above That I would cut my throat Like a dog Save that …if I do not live, Poor Santa Will be left deserted … She who gave herself to me … violentlyBut I can plant my knife In your heart! ALFIO coldlyMy friend, Do as you please; I'll wait for you outside, Behind the orchard. exit Lucia and Turiddu TURIDDU Mother, That wine is strong, And in truth I've drunk Too much of it today ... I must go out into the fields. But give me first Your blessing, As you did that day When I went off as a soldier ... And then ... mother … listen ... If I should not return ... You must be a mother To Santuzza, Whom I promised To lead to the altar. LUCIA My son, what is this you're saying? TURIDDU Oh, nothing! It is the wine within me speaking. Pray to Heaven for me! One kiss, mother ... One more kiss ... farewell! He embraces her and rushes out. Lucia, Santuzza and Chorus LUCIA desperately, hurrying after himTuriddu! What do you mean? Turiddu! Turiddu! Ah! enter SantuzzaSantuzza! SANTUZZA throwing her arms round Lucia's neckOh mother! The scene fills with people. A confused noise is heard from the distance. A WOMAN Turiddu has been killed! They all scream.

Man in Black - Johnny Cash

Johnny Cash sings "Man In Black" for the first time (with intro)

The Man Comes Around - Johnny Cash

God's Gonna Cut You Down - Johnny Cash

Soulshine - Warren Haynes

https://www.youtube.com/watch?v=wvbV0gB-81c
29JUN11 at Lexus Center in Escondido, CA. Presented by KPRI-FM. Shot by Steve Laub with synced audio from Charlie Miller.

I Need Your Love So Bad - Allman Brothers Band

The Allman Brothers Band - Need Your Love So Bad - 12/16/1981 - Capitol Theatre